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On Cruise Ships and Vital Needs

Throughout April and May, international headlines were dominated by a deadly hantavirus outbreak on a Dutch cruise ship. The saga provided the perfect opportunity for many to renew their critiques of the cruise industry, asking why – in a post-COVID world – anyone would want to go on a cruise. They’re expensive, they’re exploitative, they pollute the oceans, and – as evidenced by recent events – they’re ideal vectors for the spread of disease.

As someone who works in the field of climate justice, my main concern with cruise ships is (predictably) their contribution to the worsening climate crisis. Just one cruise company – Carnival Corporation – emits around 9.5 million tons of CO² annually. That’s the same quantity of emissions as the entire state of Rhode Island. On an individual level, the daily carbon emissions of a cruise vacationer are around eight times that of an equivalent land-based vacationer.

In 2011, nearly all countries agreed to limit the global average temperature rise to no more than 2°C. Achieving this goal will require us to keep our global carbon expenditure below 2900GtCO². At the time of writing, we’ve got slightly less than 412GtCO² left. That’s about 49.6 tons of CO² for every person on the planet. Here in the USA, we each emit an average of 14.2 tons of CO² per year – which means we’ll burn through our equal share of this carbon budget in less than three and a half years. After that point we will, essentially, be co-opting someone else’s share. Recognition of this fact should hopefully spur us on to do what we can to reduce our individual carbon emissions. But working out precisely how we should do this – what kinds of reductions it’s fair to demand from us – is the tricky part. After all, almost every aspect of our lives – from eating, to traveling, to powering our homes – contributes to carbon emissions. Are we under an obligation to make reductions in all of these areas?

Probably not. And Henry Shue’s distinction between subsistence and luxury emissions provides us with some helpful machinery to understand why. Since it’s vital that we avoid climate catastrophe – and since doing so requires us to stay within a global carbon budget – a sort of prioritization of emissions is necessary. On the back of this, Shue describes “subsistence emissions” as those that stem from the fulfillment of vital needs, while “luxury emissions” are those that do not. Shue argues that “it is not equitable to ask some people to surrender necessities so that other people can retain luxuries.” In other words, each of us has a moral obligation to reduce (as much as possible) our luxury emissions, but not our subsistence emissions.

Conceptually, it’s a simple distinction. In practice, however, it’s much more complicated. What, precisely, counts as a “vital need”? Food, water, and shelter seem obvious contenders. But even there, we must be careful. The fact that I need food to survive doesn’t mean that all of my diet-related emissions will count as subsistence. If, for example, I’m full after dinner,  then a superfluous late-night Hot Pocket won’t count as fulfilling a “vital need.”

So where do cruises fit into all of this? At first glance, it might seem that a cruise is a clear example of a luxury emission. But Shue’s machinery is more nuanced than this. As I noted when discussing the carbon cost of gaming, our vital needs go beyond mere survival and likely also cover important parts of our social lives. And there’s no doubt that – for some – cruises are enormously important. They’re a source of joy and fulfillment; an opportunity to forge social bonds and explore the world.

Whether cruise emissions count as subsistence really comes down to whether or not our list of “vital needs” is subjective or objective. What do we mean by this? Well, to say that this list is subjective is to say that it’s determined entirely by the preferences and desires of the relevant individual. Put simply, if someone decides that something is – for them – a vital need, then it is. If the list is subjective, then it’d be quite possible for a cruise to be included. The problem, however, is that taking a subjective approach to vital needs seems far too permissive. Essentially, it would mean that anything goes. Someone who insists that a weekly flight to Paris is a “vital need” could then count the emissions resulting from their flights as “subsistence” – and therefore be under no obligation to reduce those emissions.

It would seem, then, that the list of vital needs must instead be objective – that is, essential for all people, regardless of their preferences and desires. Perhaps I don’t really care about keeping warm in the depths of a cold winter. Be that as it may, there is a fact-of-the-matter that without sufficient warmth, I will not survive. The same is true of food and water. These are vital needs for all people. Would taking a cruise appear on this objective list of vital needs? Certainly not. There’s no reason to think that such a niche experience is – objectively – essential for all humans. We can demonstrate as much by considering all of the humans who manage perfectly well without ever having set foot on a cruise ship.

But a new problem arises – might our list of vital needs now be too restrictive? As I’ve argued before, education is a good candidate for a vital need. And, if so, then emissions associated with this activity (the carbon cost of getting to school, keeping the classroom lights on, and using a laptop to complete an essay) should count as subsistence. But here’s the thing: less than 40% of Americans hold a college degree. This indicates that many are perfectly capable of living without a post-secondary education, and would seem to imply that higher education has no place on an objective list of vital needs.

Perhaps, then, something is missing from both the subjective approach and the objective approach. Perhaps an alternative is required. This is what I will turn to consider next time.

The Remarkable Odyssey of a Solid Gold Toilet

photograph of solid gold toilet America

In the early morning hours of Saturday, September 14th, a golden toilet named America was stolen from the birthplace of Winston Churchill. Artist Maurizio Cattelan crafted the piece of art in 2016 for an exhibition at the Solomon R. Guggenheim Museum in New York City. The toilet is fully functional and was designed to resemble the other toilets in the museum. Patrons had the opportunity to use the costly commode, crafted entirely of 18-carat gold, for the purposes for which such items are typically intended. The work was installed on Thursday of last week, again, in a fully functional fashion, in Blenheim Palace in Oxfordshire, England. A 66-year-old man is in custody in connection with the incident.

America is no stranger to front-page headlines. In keeping with presidential tradition, in 2018, President Trump requested to borrow a work of art from the Guggenheim Museum for display in the White House. In particular, he asked for Van Gogh’s Landscape with Snow. That request was denied. He was offered America instead.

To point out that there are layers upon layers of irony in play in this story would be, perhaps, to state the obvious. One level of irony comes from the fact that a golden toilet that represented income inequality was forcibly torn from its palatial home. The toilet was installed in Blenheim Palace in the same way its less expensive counterparts would be. As a result, stealing it required ripping it out. This was done quickly and caused significant water and structural damage to the room.

The motivations for the caper have yet to be revealed, and it might be amusing to speculate that the perpetrator knew just how ironic his actions would be and that he did what he did for that reason. Such speculation is probably misguided—the work was probably stolen because of the worth of the gold. If this is the case, the whole thing is actually even more poetic and provides a critical insight: it is a luxury to be in the position to view a million dollars worth of gold as nothing more than high art or social commentary. The message that Cattelan was trying to convey when he created America has to do with income inequality in America, and with the inescapable features of existence that we share in common regardless of our differences in wealth, status, and power. The theft of America organically goes meta on that message. The person who stole the piece presumably didn’t think that the best use of a million dollars worth of gold was to ironically adorn the water closet of a British palace somewhere.

It might be tempting to believe that the golden toilet saga represents art at its very best. Here, the value isn’t in the beauty of the piece or in the skill of the artist. Instead, it’s in the fact that it provides a potent motivation for reflection on income inequality both locally and globally. The community of art viewers, including presidents, museum docents, and art thieves, has contributed to the art and to the content of the message—it is an evolving work that reflects back at us who we are and what we value. The question is thus posed in a unique and interesting way. Art is a compelling form of speech. We might conclude, as a result of all of this, that as a human community we ought to take a page out of a toilet thief’s playbook and deconstruct the systems of wealth, privilege, and power that make golden toilets possible.

On the other hand, while we in the west are making toilets out of gold to finally generate long overdue conversations about income inequality, children in impoverished countries are dying of preventable diseases. Communities suffer from lack of access to food, shelter, clean drinking water, and basic medical care. It may be the case that America poses questions about income equality in a way that gets people to sit up and listen, but what does it say about our priorities that this is what it takes to get us to pay attention? Why aren’t we motivated more strongly by empathy for suffering beings?

A further observation has to do with the kind of value that we place on art and the ways in which that value gets expressed. The creation of art has instrumental value and may even have intrinsic value. It may be the case that the process of engaging in creative activity has value all on its own, regardless of whether the work created is good by any objective standard, or whether the creation serves a social function for the community at large. Human beings can be the harbingers of devastating destruction, and it is good to remember sometimes that we can be powerful creative forces as well. It also seems just and fair for artists to be compensated for their work. That said, the art world itself contributes to its own system of social hierarchy. Not all creation is created equal, and maybe it shouldn’t be. One great irony of the golden toilet heist is that six million dollars of the seven million dollar valuation of the art is the work’s value as art. Only one million dollars of the valuation is located with the gold of which the piece is comprised. Our valuation of art contributes to class-based distinctions. The possession of highly-valued fine art is a status symbol. Last year, a sculpture called “Rabbit,” created in 1986 by artist Jeff Koons sold for 91.1 million, setting a record for the most expensive work sold by a living artist. The sculpture resembles a rabbit-shaped silver Mylar balloon. In the meantime, hundreds of thousands of people in sub-Saharan Africa died of Malaria, while multi-million dollar rabbits sat on the tabletops of the elite.

Why Give $75 Million to Philosophy?

Image of Johns Hopkins University's Main Campus

When Bill Miller, a wealthy businessman, recently made a $75 million donation to the philosophy profession—specifically, to the Johns Hopkins philosophy department—philosophers rejoiced in unison, right? Not exactly. Some rejoiced while others engaged in a debate. Mike Huemer, a philosopher at the University of Colorado, kicked it off in a Facebook post, which was reposted at the What’s Wrong? blog.

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Does Business Ethics Depend on Economic Growth?

The study of business ethics has faced obstacles since its introduction to mainstream thought in the 1970’s and 80’s, finding no place in higher education and facing opposition from the core tenets of capitalism itself. According to Amitai Etzioni, a professor who taught ethics at Harvard Business School from 1987 to 1989, ethics was deemed incompatible with business. In an interview with Pacific Standard, Etzioni said financial analysts, economists, and marketers alike insisted that ethics was incompatible with profit: “We teach people how to put small toys into large boxes so they seem bigger. We put hot colors onto boxes to produce impulsive buying. If you want us to teach ethical behavior, we’re out of business.”

Continue reading “Does Business Ethics Depend on Economic Growth?”

Reimagining the Government Safety Net

This year will mark a variety of experiments in alternatives to standards models of welfare in the West.

Traditionally, revenue collected from taxes is devoted to programs that provide particular services to citizens in need of assistance. Some form of credits or relief from paying for groceries, rent, school tuition, and medical assistance are standard areas of government aid.

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Spas and Pilgrims in Assisi

https://www.flickr.com/photos/roberto_ferrari/320443243/in/photolist-ujmBv-4MUAY-7uBWXr-fcYVhP-fVN2tW-hc6pYv-6WUyHT-4MUv8-qzjgF-qx81D-qA84u-acD5VT-a1z4R6-a1BYWy-qzjgM-7pfZvh-qznpw-fVRqBF-qx81N-hc6B4g-qzkea-7rnFGh-88Mf41-9C7kE7-5CzYW5-kXzLZ-qdWtzp-hc5jkw-hc6sYi-a48bdu-qzihu-4QrxaC-eQPNZ-qzjMB-87ADe4-qzihD-qzjMH-qzoiv-qx4MG-qznpv-qzjMy-qzkef-beMwwB-a1z5PX-88ecGS-6WUtTr-88J1fX-88J3gt-75PG8y-7rk6RR

Known for his simplicity and acceptance, Saint Francis is often considered one of the most popular saints in the Catholic Church. The current pope even chose his papal name based off of the saint. Because Saint Francis is a favorite among Catholics, pilgrims have been flocking to his hometown, Assisi, Italy for centuries. Catholic visitors from around the world travel to Assisi to walk in the saint’s footsteps and to soak in the natural beauty of Mount Subasio, as well as the surrounding forest. Continue reading “Spas and Pilgrims in Assisi”