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When Should You Boycott?

close-up image of Benjamin Franklin on a hundred dollar bill

Public calls to boycott companies are increasingly common. Recently, musicians and podcasters have pulled their content from Spotify, and a member of Congress urged people to cancel subscriptions, due to the company’s relationship with Joe Rogan. Republican figures in the U.S. have called for boycotts of “woke” corporations. There is a rich history of calls to boycott Starbucks, from reasons ranging to the design of holiday cups to their recent removal of employee vaccine requirements. The examples go on, but I’ll stop for the sake of brevity.

Given the frequency and intensity of calls to boycott, slowing down and analyzing this practice may be useful. My goal here is to briefly reflect on the nature and purpose of boycotts to determine criteria for when one ought to join a boycott.

My analysis here will be somewhat limited. First, I won’t directly consider international boycotts – the refusal to purchase goods that are produced in some foreign nation due to policies of that nation. Second, this analysis will only look at consumer boycotts rather than practices like diplomatic boycotts. However, what I present below may nonetheless have bearing for non-consumer boycotts.

We should start by considering the purpose of a boycott. Each boycott should have specific goals and aims. There must be a motivation that differentiates a boycott from matters of mere convenience, say, shopping at store A rather than store B because store A is around the corner while store B is on the other side of town.

One might think that a boycott serves as punishment. Namely, a punishment that consumers inflict on companies for engaging in wrongdoing. Corporations aim to make profits. So, refusing to consume their wares is a way to make them worse-off. In contrast, it hardly seems like I am trying to punish other grocers when I shop at the store closest to me.

Although some might view boycotts as a form of punishment, this does not capture the whole picture. This is apparent when we consider the idea of expected consequences. Suppose that my friends and I decide to stop buying clothes from a manufacturer who we believe uses exploitative sweatshop labor. This is a classic example of boycotting.

What consequences can we expect to follow from this choice? Well, practically none. If this clothing company is of any significant size, the choices of a few consumers will have little, if any, impact on their profits. The choices of a small collective are just proverbial drops in the bucket compared to their billions of dollars in sales each year. If a boycott is supposed to be a form of punishment, then perhaps my friends and I should abandon this boycott; we can’t hope to put a dent into their profits.

So, we’d be better served by abandoning the conception of boycotts as punishments. Instead, we might see them as a form of expression. The U.S. Supreme Court has ruled that spending money is a speech act. So, consumers who choose to engage in a boycott might be seen as performing a speech act in the marketplace. Vote with your dollar. Namely, their economic behavior and choices are meant to express opposition to some action, behavior, or policy of a corporation.

Viewing boycotts as a matter of expression can change our understanding of the circumstances under which we should join a boycott. Specifically, I think that we ought to join a boycott if it a) aims to express the right kind of message and b) if it has a reasonable chance of succeeding at this. A note of clarification about the later criteria is necessary, though. By “succeed” I do not mean that a boycott must bring about change. Rather, this requirement is less rigorous. When we view boycotts as being about expression, a boycott is successful simply if it sends the message. These criteria taken together give rise to at least three conditions that a boycott should meet before we ought to join it.

First, the boycott should be organized. The marketplace can be chaotic. A variety of reasons determine consumer choices. Businesses are left with raw sales figures and must determine the reasons behind any changes. Suppose many joined in on our clothing boycott. Unless our messaging is organized, the corporation may never attribute the sales decline to consumer outrage and thus our message will not be received. So, our boycott should be organized in some form, whether this is through petitions, messaging on social media, etc.

Second, the boycott must have a clear goal. For a behavior to be wrong, there must be something else that one could perform. This is one implication of a principle that philosophers call “ought implies can.” If I told you that breathing was wrong due to the chance that you might inhale and kill a small insect, you’d be right to respond incredulously – you cannot stop breathing, so breathing cannot be wrong. By having a clear goal (which it sends through its organized messaging) a boycott makes the case that the behavior of the corporation is wrong by showing the morally superior alternative.

The organization and goal requirements have an additional benefit – they may allow us to avoid frivolous boycotts. For instance, some have boycotted vodka over Russia’s invasion of Ukraine, despite the fact that almost no vodka consumed in the U.S. is a Russian product. A more organized boycott would target specific, actually Russian-produced brands. Further a boycott with clear goals would not merely expressing outrage at a product due to its association with a particular culture – it would aim to send a message to an authoritarian regime, not condemn the people suffering under it.

Third, boycotts should send the message that a behavior is morally unacceptable, rather than merely disagreeable. This stands in contrast to actions that one merely finds displeasing or does not agree with. Unlike the previous two criteria, this is not a practical consideration. Rather, the concern involves the message we send when we join boycotts motivated solely by disagreement.

Imagine the owner of a local pizza shop made a series of posts on a personal social media account supporting a particular candidate for office. Screenshots of these posts then circulate, maybe on a sub-Reddit. Members of the community who support a different candidate begin questioning whether they should continue to order pizza from here. They should ask themselves: What message might a boycott send?

Well, the boycotters might be seen as expressing the sentiment that they refuse to support others whose political beliefs run counter to their own. This is not an incoherent position to take. However, it is antithetical to the attitudes that enable the functioning of a democratic society. To live somewhere with a free, deliberative, and collective decision-making process requires accepting that others will not always share your outlook. So, we should not engage in boycotts simply due to political disagreements. Instead, the positions and behaviors worthy of boycott should be those that cross the line from merely contentious into morally unacceptable.

Of course, the line between the political and the moral is blurry. Indeed, political ideology may determine moral beliefs. This leads to moralism in politics; the attitude that one’s political views are universal moral truths which cannot be compromised. Thus, for many, a Venn diagram of the politically disagreeable and the morally unacceptable may just be a circle.

And this could be why calls to boycott have become more common in recent years. As political disagreements become increasingly more morally charged, they are less about the merits of particular policies and more about how we should live our lives. In a capitalist society, our behavior on the marketplace is part of how we live our lives. Thus, it makes sense that our decisions about what we buy and where are increasingly shaped by our political preferences.

Spotify and the Ethics of Music Streaming

Photo of the Spotify logo behind a band on a stage

Since the founding of Swedish company Spotify in 2006, music streaming has risen over the past decade to become one of the most popular ways to listen to music. According to the International Federation of the Phonographic Industry (IFPI), 54 percent of recording industry revenues are from digital sources, more than two-thirds of which are streaming, and streaming revenues have increased by 41.1 percent in the last year. At least 176 million people now use paid streaming subscriptions, and many more use free versions of services like Spotify.
Continue reading “Spotify and the Ethics of Music Streaming”

Combating Bias? Nicki Minaj and the Merit of “Twitter Beef”

Photograph of Nicki Minaj on stage holding a microphone

Four years since her last album, Nicki Minaj released her fourth album Queen on August 10th, 2018. According to The Observer, the album was scheduled for its release on June 25, and its delayed and surprising release has had fans reeling. The release of the album and the rapper’s personal life have been imbued in controversy, and considering the standards female celebrities are held to, it is not surprising. However, the Queens native has taken to Twitter and other platforms to declare that this time around, she will not be silenced. While there has been substantial noise and personal opinion regarding Nicki’s actions and Twitter posts, whether you agree or disagree with her approach, the rapper has raised several points that require further ethical examination. Among these points are the contradictory and inconsistent standards that female artists are held to by music critics, and the unequal treatment of female artists by streaming platforms.

Nicki has been greatly criticized for collaborating on “FEFE” with rapper Tekashi 6ix9ine (Daniel Hernandez). Hernandez was found guilty of using a child in a sexual performance, pled guilty in 2015, and has been arrested on multiple counts of assault since then. With this in mind, is it ethical to promote the fame and monetary advancement of  someone who has been known for abusing women? In an article for Pitchfork, Shanita Hubbard writes: “The choice to use her platform to further legitimize a sexual predator is in direct contrast with the nationwide, black women-led movement to silence music’s most infamous abuser [R. Kelly].” According to CNN, Spotify enacted the Hate Content and Hateful Conduct Policy, which included taking R. Kelly off all Spotify Playlists. This has been in part inspired by the #MeToo movement and the voracity with which sexual violence has been amplified and condemned on social media. Furthermore, the principle of non-maleficence would say that actions that cause harm should be completely avoided, and promoting the music of convicted sexual offenders causes an immeasurable amount of pain to people who have been affected by sexual violence: they might be forced to relive their pain when they listen to a sexual offender’s music. Not to mention that the tacit or explicit support of sexual offenders contributes to rape culture.

While the production of “FEFE” is arguably an ethical breach on Nicki’s part, Nicki points to a certain amount of hypocrisy within the criticism she has received. On Twitter, Nicki questioned the praise that Lady Gaga received on her collaboration with R. Kelly by Pitchfork. This leads one to wonder whether Black women are held to a higher standard when it comes to eradicating rape culture, especially considering how the #MeToo movement was started by Black women. Is an unequivocal repudiation of all art created by sexual offenders needed in order for criticisms, such as the ones Nicki is facing, to be just? Additionally, this speaks to what bodies can be “aggressors” and be granted “forgive and forget” privileges. Nicki points to the forgiveness with which Lady Gaga was treated; however, one could argue that at the time of Lady Gaga’s collaboration with R. Kelly, there weren’t as many efforts to boycott artists who engaged in unethical and illegal practices. On the other hand, one could also argue that R. Kelly’s problematic sexual conduct has been public record for decades, and collaborating with him is unethical regardless of the contemporary awareness the #MeToo Movement has created. Furthermore, when dealing with unethical actions, how can unequal responsibility be mediated? Nicki also claimed that she knew of people getting paid to slander her on different news outlets, and Tweeted, “I’m supposed to keep letting these ppl get money to bully me behind the scenes & not say anything. Yikes.” Through her Tweet, Nicki emphasizes how she is expected to keep quiet, even when she sees herself targeted unequally. This speaks to the ways in which women are commodified, especially in the music industry. Audiences want to consume their music and celebrity presence without humanizing them.

Nicki Minaj has also spoken out about potential foul play by the streaming company, Spotify. Nicki took to Twitter with this issue and stated that Spotify purposefully did not advertise her album sufficiently, since her album premiered slightly earlier on iTunes. She also pointed out that when Drake dropped his latest album, Scorpion, he was overwhelmingly featured on Spotify Playlists and promoted on the streaming platform. Some might suggest that Nicki is stirring controversy on Twitter to increase her album’s visibility (Queen was No. 2 on the Billboard 200, behind Travis Scott’s ASTROWORLD). People who claim that Nicki is simply pulling a publicity stunt might be ignoring the historic silencing of women of color: protesting “peacefully” and “properly” is coded as something only white bodies can do. Furthermore, Nicki does call attention to the inequities that exist between men and women in the music industry, especially within rap.  Whether Spotify recognizes that they treated the release of Drake’s album differently than Nicki’s, an unconscious gender bias could have been at play.

Through her new album, Nicki  Minaj is making a statement: her contributions to rap will not be belittled because she is a woman. Nicki took to Twitter to protest in the quintessential 21st century fashion, and her Tweets and interviews have sparked debate and judgment with many arguing that she is uninformed, ignorant, and dramatic. However, this reflects the silencing that women of color experience when they share their perceptions and life experiences and are told to be quiet. Women of color also experience policing when it comes to their tone and choice of words, which is congruent with the criticism Nicki’s Tweets have received. Whether one agrees with “Twitter beef” and the increasing use of Twitter to settle disputes, it is important that audiences read between the lines. When a woman Tweets “injustice,” the immediate response should not be “exaggeration.”

Chance the Rapper came out in support for Nicki and Tweeted, “I cant [sic] imagine what it’d be like to literally not be able to show yo frustrations with actual inequities and subjugation. Without being called bitter or angry or a liar or crazy. Mfs a literally tell a BW ‘I feel u but u not goin about it the right way’… what?” Chance the Rapper’s Tweet is important, because it highlights the harassment women of color face when they call out oppression; however, it is important to consider the Chicago rapper’s positionality when examining his Tweet. As a man, Chance has the ability to influence a public audience with more credibility. On the other hand, Chance is using his position to uplift the voices of women of color. While justice demands that all voices are heard equally, on and off the “Twittersphere,” this is still not the case. Nevertheless, these are all factors one must consider when assessing the political potential of Twitter.