← Return to search results
Back to Prindle Institute

Illocutionary Silencing and Southern Baptist Abuse

black and white photograph of child with hands over mouth, eyes, and ears

Content Warning: this story contains discussions of sexual, institutional, and religious abuse.

On May 22nd, external investigators released an extensive report detailing patterns of corruption and abuse from the leadership of the Southern Baptist Convention (SBC), the largest denomination of Protestant Christianity in the United States. According to the report, Southern Baptist leaders spent decades silencing victims of sexual abuse while ignoring and covering up accusations against hundreds of Southern Baptist ministers, many of whom were allowed to continue in their roles as pastors and preachers at churches around the country. In general, the Executive Committee of the SBC prioritized shielding itself and the denomination from legal liability, rather than care for the scores of people abused at the hands of SBC clergy. But, after years of public condemnations of the Committee’s behavior, church representatives overwhelmingly voted in June to investigate the Executive Committee itself.

To anyone who has not been listening to years worth of testimony from SBC abuse victims, there is much in the SBC report to shock and appall.

But in this article, I want to consider one important reason why so many (beyond just the members of the SBC Executive Committee) ignored that mountain of testimony, even despite prominent awareness campaigns about sexual abuse in religious spaces after the USA gymnastics abuse trial and the #MeToo movement (like #ChurchToo): in short, in addition to the abuse itself, many of the people who chose to come forward and speak about their experiences suffered the additional injustice of what philosophers of language call illocutionary silencing.

In brief, philosophers (in the “speech act theory” tradition) often identify three distinct elements of a given utterance: the literal words spoken (locution), the function of those words as a communicative act (illocution), and the effects that those words have after they are spoken (perlocution). So, to use the cliché example, if I shout “FIRE!” in a crowded theater, we can distinguish between the following components of my speech:

    • Locution: A word referring to the process of (often dangerous) fuel combustion that produces light and heat.
    • Illocution: A warning that the audience of the utterance could be in danger from an   uncontrolled fire.
    • Perlocution: People exit the theater to escape the fire.

In general, interpreting a speech act involves understanding each of these distinct parts of an utterance.

But this means that silencing someone — or “preventing a person from speaking” — can happen in three different ways. Silencing someone overtly, perhaps by forcibly covering their mouth or shouting them down so as to fully prevent them from uttering words, is an example of locutionary silencing, given that it fully stops a speaker from voicing words at all. On the other side, perlocutionary silencing happens when someone is allowed to speak, but other factors beyond the speaker’s control convene to prevent the expected consequences of that speech from occurring: consider, for example, how you can argue in defense of a position without convincing your audience or how you might invite friends to a party which they do not attend.

Illocutionary silencing, then, lies in between these cases and occurs when a speaker successfully utters words, but those words (because of other factors beyond the speaker’s control) fail to perform the function that the speaker intended: as a common phrase from speech act theory puts it,

illocutionary silencing prevents people from doing things with their words.

Consider a case where a severe storm has damaged local roadways and Susie is trying to warn Calvin about a bridge being closed ahead; even if Susie is unhindered in speaking, if Calvin believes that she isn’t being serious (and interprets her utterance as a joke rather than a warning) then Susie will not have warned Calvin, despite her best attempts to do so.

So, consider the pattern of behavior from the SBC towards the hundreds of people who came forward to report their experiences of assault, grooming, and other forms of abuse: according to the recent investigation, decades of attempted reports were met with “resistance, stonewalling, and even outright hostility” from SBC leadership who, in many cases, chose to slander the victims themselves as “‘opportunistic,’ having a ‘hidden agenda of lawsuits,’ wanting to ‘burn things to the ground,’ and acting as a ‘professional victim.’” Sometimes, the insults towards victims were cast as spiritualized warnings, such as when August Boto (a longtime influential member of the SBC’s legal team) labeled abuse reports as “a satanic scheme to completely distract us from evangelism. It is not the gospel. It is not even a part of the gospel. It is a misdirection play…This is the devil being temporarily successful.” To warp the illocutionary force of an abuse report into a demonic temptation is an unusually offensive form of illocutionary silencing that heaps additional coals onto the heads of people already suffering grave injustices.

And, importantly, this kind of silencing shapes discursive environments beyond just the email inboxes of the SBC Executive Committee: a 2018 report from the Public Religion Research Institute found, for example, that only one group of Americans considered “false accusations made about sexual harrassment or assault” to be a bigger social problem than the actual experience of sexual assault itself — White Evangelical Baptists.

In the New Testament, Jesus warns about the dangers of hypocrisy, saying “Nothing is covered up that will not be uncovered and nothing secret that will not become known. Therefore whatever you have said in the dark will be heard in the light, and what you have whispered behind closed doors will be proclaimed from the housetops” (Luke 12:2-3, NRSVUE). It may well be that, finally, the proclamations by and about the victims of and within the Southern Baptist Convention can be silenced no longer.

Should We Mute Michael Jackson?

photograph of Michael Jackson wax figure

rThe documentary Leaving Neverland features first-personal accounts from Wade Robson and James Safechuck of child sexual abuse allegedly committed by “The King of Pop,” Michael Jackson. This is not the first time Jackson has been the subject of such allegations. But the renewed attention to these allegations, combined with the fact that movements such as #metoo, #timesup, and #muterkelly have heightened awareness of sexual harassment and sexual assault in the entertainment industry, has raised new questions about how we should respond to Jackson’s music. Should radio stations still play it? Should streaming services take it down? Should we listen to it in private? In short, should we mute Michael Jackson because of his alleged immorality?

Many seem to be in favor of muting. A number of radio stations in Australia, Canada, New Zealand, and the Netherlands have decided to stop playing his music (at least temporarily). Along with this limited radio suspension, many have declared on social media that they will no longer play his music, an episode of The Simpsons featuring Michael Jackson has been withdrawn, and Drake has removed Don’t Matter to Me, featuring Jackson’s vocals, from his tour setlist.

Others, however, have been less keen to “mute” Michael Jackson. The director of Leaving Neverland, Dan Reed, said that, “It seems to have had an effect on people who have watched the film, the reaction I’ve heard most often is that people don’t want to hear his music. But it’s a personal thing. I wouldn’t get behind a campaign to ban his music, I don’t think that makes any sense.” Greek radio station 95.2 Athens played a Michael Jackson song every hour over a weekend to protest against the documentary. Jackson’s estate have also said that they will sue for damages. And dedicated Michael Jackson fans have even taken to the streets to protest the documentary. Importantly, his fans mostly seem to be asserting his innocence. In their view, because he is not guilty of what he’s been accused, there is no ground to mute his music. But there are good reasons not to play Jackson’s music in the current context that don’t depend on him being guilty.

To see why, consider the case of former Lostprophets’ vocalist Ian Watkins. He is currently serving a 29-year prison sentence for a string of sex crimes, including the attempted rape of a baby. Unlike Jackson, Watkins has been convicted of the allegations made against him. In response, British retailer HMV decided to stop selling their music. His former band mates stopped performing under the name Lostprophets and vowed that their new band would never perform any songs that had been written by Watkins. In such a clear case, there are good reasons not to play his music: for instance, it might cause revulsion as it reminds us of his crimes, it might be disrespectful to his victims and the victims of similar crimes, and it might appear that we are willing to overlook his horrific actions so that we can continue to enjoy his music.

These reasons may appear to depend on Watkins’s guilt. However, overlooking someone’s horrific actions is just one way that we might support someone. It is also possible to support the “merely” accused against allegations. For instance, playing Michael Jackson’s music at this time may send the message that we support him against these allegations. Sometimes this is exactly the message people intend to send. This indeed is the reason New Zealand café owner Kalee Haakma gives for why she now dedicates each Monday to playing only Michael Jackson’s songs, saying: “There is evidence out there that supports his innocence.” Here Haakma clearly expresses that her reason for playing Jackson’s music is to show her support for him in the face of these allegations.

As we have argued elsewhere, our actions can also have meanings that we do not intend. Consider the recent case of British radio DJ Danny Baker, who was fired from the BBC for sending a tweet depicting the new British royal baby as a chimpanzee. The tweet was taken by many to be making a derogatory comment about the baby’s mixed racial heritage. While it is possible that this was what Baker intended, he claims that he meant to make a comment about social class and the media spectacle surrounding royalty. Even if these were his intentions, comparisons with monkeys have long been used to degrade and abuse black and mixed-race people. Given this, it seems more than reasonable for others to interpret Bakers’ tweet as making a similar comparison. The context of his action means that it conveys a racist message even if this is not the message Baker intended.

In a similar way, at a time when significant allegations have been made against Jackson, playing his music publicly could reasonably be interpreted as an expression of support for him against those allegations. It sends this message in part because the DJ has chosen to play Jackson’s music instead of the vast catalog of other music available when recent, detailed and compelling testimony has been given against Jackson. Prompting us to appreciate Jackson’s talent as a musician at such a time might reasonably be interpreted as expressing support for Jackson. This is especially true at a time when Jackson’s supporters are publicly denying the allegations made against him and responding with vitriol to those making them, such as accusing Safechuck and Robson of lying and being motivated purely by money. It is also relevant that the form this protest often takes is playing and celebrating his work in public.

Of course, there are a number of reasonable ways to interpret this support. It might be interpreted as protest against “political correctness going mad”. It might be interpreted as holding that his music should still be appreciated regardless of his guilt or innocence. It might instead be interpreted as an unqualified defense of the man and a wholesale rejection of the accusations made against him. The final form of support clearly sends a further message that is potentially harmful for victims of sexual abuse, particularly victims of important or talented men. It sends the message that if they decide to go public with their accusations then not only will they not be believed, they will also be publicly vilified. DJs might try to avoid sending a harmful message by being explicit that they do not intend to support Jackson in a way that overlooks the accusations. But it is hard to avoid this harmful message being sent when playing his music given the background context of the entertainment industry’s long history of turning a blind eye to allegations of sexual harassment and abuse made against talented men. Against this background, DJs and radio stations shouldn’t play his music.

Does this mean you shouldn’t listen to Michael Jackson’s music in private? Not necessarily. A large part of the problem with radios playing his music is that it is in public. Whether or not you can continue to enjoy his music in private may come down to your personal relationship to the music, as Blindboy Boatclub from Irish hip hop duo The Rubberbandits argues. You might not feel able to if it reminds you of his crimes, but it may still be acceptable to do so. But you might, as Blindboy does, appreciate Jackson’s music more for Quincy Jones’ production than for Jackson’s lyrics and vocals, making Jackson’s immoral behavior largely irrelevant to your appreciation of the music. It is important to acknowledge that Jackson’s success is not solely down to his own musical talents and that many people contributed to the making of his music and the production of his celebrity status. Perhaps if we acknowledged these contributions as much as we do the stars’ contributions, listening to Michael Jackson’s music now wouldn’t send such a harmful message. But given the reality of a celebrity culture that turns talented musicians into stars who are to be worshiped and not to be challenged, we have good reason, at least for now, to mute musicians when credible accusations of seriously immoral conduct are made against them.

A New Approach to Pedophilia

Few crimes are as stigmatized as those that stem from pedophilia. Pervasive tropes of the pedophile as the serial child abuser, shadily lurking in public parks, have worked to demonize the mindset to a degree rarely seen with other crimes. This stigma is so strong that, in states like California, therapists must report clients who admitted that they viewed child pornography, regardless of their attempt to seek treatment. Such measures may seem like a strong stand against pedophilia, a mindset that contributes to the abuse and exploitation of thousands of children. But is criminalizing pedophilia in this manner effective?

Continue reading “A New Approach to Pedophilia”