The ongoing Syrian refugee crisis has raised ethical concerns surrounding immigration, borders, and terrorism. However, one less-discussed ethical dilemma surrounding refugees is that of photojournalism and art. Irish photographer Richard Mosse made headlines last week after publishing photographs taken of refugee camps using cameras with military grade thermal radiation. The photographs are extremely detailed and might even portray a sense of voyeurism.
Under ideal circumstances, the dinghy should have only held eight people. The same could have been said of the many boats that preceded it, in search of beaches in Greece. Yet, just as those before them, the rubber dinghy left the shores of Turkey’s Bodrum Peninsula in the early hours of the morning. Among the twelve people onboard were three-year-old Aylan Kurdi and his family, refugees from the besieged Syrian town of Kobane.
Every time I travel outside the U.S., I bring a book of photos back with me. In part, it stems from a need to remember wherever I have been. But it also lends me new artistic perspectives, allowing me to both better my photography and understand how the country’s artists have imagined their surroundings.