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Environmental Impacts of the Fashion Industry

photograph of Louis Vuitton storefront

While the designer for Louis Vuitton was probably hoping their iconic looks would be stealing the fashion hearts of the internet, it was not the powerhouse brand’s upcoming line that was posted all over the news. During the finale of one of the biggest fashion events in the world, Paris Fashion Week, while models for Louis Vuitton were in the midst of the runway, an environmental activist, Marie Cohuet, joined the models holding a sign stating “OVERCONSUMPTION = EXTINCTION.” Outside, more environmental activists from three different organizations were staging their own protest against the fashion industry’s harmful impact on the environment. Louis Vuitton was targeted specifically for its influence in the fashion industry, as well as for the brand’s recent pledge to reduce their environmental impact. The environmental group behind this protest claims Louis Vuitton is not living up to its promises — having committed to have 100% renewable energy in their production and logistics sites, and LED lighting in their stores by 2025. Are these commitments enough, however, to make a consequential impact on an environment that is becoming increasingly uninhabitable every year?

For one thing, Louis Vuitton is basing these objectives off the 2015 Paris Climate Agreement that settled on keeping global warming temperatures below 1.5- 2 degrees Celsius. This range of temperature indicates the difference between surviving the inclement weather we are currently dealing with and experiencing massive climate disasters that lead to unheard of burdens on countries and people. These two worlds look very different, especially depending on the geography of where one lives. Even at 1.5 degrees Celsius, many island nations will cease to exist, as this agreement was largely made based on the concerns of economic powerhouses, such as the U.S., that need not worry about their entire populations being swallowed by rising sea levels- just coast lines. Beyond just ignoring the potential extinction of smaller island nations, the goals of the Paris Climate Agreement are almost definitely unreachable at this point. The few goals Louis Vuitton has set for the brand’s environmental impact are not set to be reached until 2025, which is far beyond what the climate needs in reality from the industry. But, Louis Vuitton is only one brand of many in the industry, so what is the total impact of the entire fashion industry on the environment? And why should the fashion industry be at the forefront of industries limiting their environmental impacts?

Making clothes, is in fact, an extremely resource-intensive process, which consumes mass amounts of water, releases dangerous levels of carbon emissions, and depends on a wasteful consumerist business model. Every year, the fashion industry uses up such a massive amount of water that it could meet the needs of five million people. This is in a world that currently 2.2 billion people do not have safe access to clean drinking water. Furthermore, the industry depends largely upon synthetic materials, which put microplastics into the oceans, reeking negative impacts on an already vulnerable marine ecosystem. In terms of carbon emissions, the industry is responsible for ten percent of global emissions, which may rise by 50% by 2030, if it stays at the same pace. Fast fashion, a quickly growing pocket of the fashion industry, relies on a consumerist model in which one posts an outfit on social media, but then must buy a different outfit for their next post. Their clothes, therefore, are cheaply made and cheaply bought, and eventually end up in a landfill. Many of these clothes end up in an incinerator, which releases large amounts of poisonous gases and toxins into the air. Despite these statistics, the consumption of clothing is expected to rise from 62 metric tons in 2019 to 102 million tons in the next decade. These are environmental impacts that undoubtedly affect human’s health, however, there is a more direct connection to the endangerment of human life and the fashion industry.

Part of the reason fast fashion is able to sell its clothes at such a cheap price is because they do not pay the people in warehouses making the clothes a livable wage. This has essentially led to modern-day slavery practices in the production of the fashion world. Women make up the majority of the 40 million people worldwide that are enslaved in modern slavery networks and the fashion industry, from the workers in the warehouses to the collection of the raw materials, contributes to this network. The complicated supply chains that the fashion industry depends on make it difficult to track where the raw materials have come from and make it easier to hide the connection between a cute top on an Instagram model and an enslaved woman, or even child, in a dangerous factory. These factories and warehouses are often in countries that already struggle economically and therefore have populations of people vulnerable to the cheap wages and dangerous working conditions due to the risk of poverty. This present-day situation can undoubtedly be traced back to the roots of colonialism and the imperialist missions of the “Global North” against countries in the “Global South.” At the root of the fashion industry’s ethical issues lie not only environmental problems, but also complex race and gender issues. After all, the impacts on the climate will be felt first by the most vulnerable populations in the most vulnerable countries, both geographically and economically.

In order to address the mounting problems facing the fashion industry, some brands have turned towards more sustainable methods of making, packaging, and transporting clothes. For example, technology has allowed for companies to use recyclable fibers, which lack the toxins found in other sources. This also requires far less water than it would using the usual cotton material. Oftentimes, however, these sustainable brands can be extremely expensive, carrying a price tag of $550 for a simple white cotton t-shirt. This is simply unattainable for most of the population. One brand, CHNGE has managed to create a brand whose ideology is centered around sustainability, ethical practices, and activism. Their clothing is 100% carbon neutral as they protect hundreds of thousands of trees, they use an organic cotton that saves 500 gallons of water, and use recycled packaging for their clothes that can then be recycled again. They also own the factory that produces their clothing and guarantee fair and safe working conditions for their employees. They manage to do all of this while keeping the price of their shirts around $30.

Whereas brands like CHNGE seem to be taking active and important steps towards offsetting the impacts of their clothing production, it seems other brands like Louis Vuitton are failing to recognize the precarious place the world finds itself in. While individual fashion brands, and ideally the fashion world as a whole, can pledge and promise to decrease their environmental impacts, the impending climate doom does not rest solely upon the shoulders of fashion CEOs. Surely, they have a great responsibility given the impact of the fashion world, but our continued survival is largely dependent upon world leaders to make and enforce the real and necessary changes needed to prepare for the future. While the 2015 Paris Climate Agreement may have been historical in the global community’s acceptance of the need for change towards the climate, that agreement is failing. World leaders, from both poles of the globe, need to work together in a way that the world has never seen before in order to prepare for the worst that climate change is sure to bring.

Fast Fashion Isn’t the Fashion Industry’s Only Problem

photograph of shelves of shirts in shrinkwrap

Most young Americans have never lived in a world where the latest fashion trends were not available instantly at dizzyingly low prices. Fast fashion retailers like Shein and ASOS offer seemingly endless online catalogs of low-quality clothes, typically about as durable as tissue paper, and in the last few years they’ve broadened their audiences through social media sites like TikTok and Instagram. Influencers purchase a few hundred-dollars worth of clothing, reflecting that week’s micro-trends, and spread these finds out on the floor to be filmed. Most items are only worn a few times before they move on to their next haul. To get a sense of the scope of this problem, we might look at pioneering online retailer ASOS, which aims to add roughly 5,000 items to its virtual catalog every week. As Terry Nyguen, a reporter on consumer trends for Vox, explains, “Garment production has quietly accelerated to breakneck speeds over the past three decades, easing young and old consumers into thinking of their clothes as disposable.”

As a culture, we’ve been trying to wrap our heads around fast fashion for nearly a decade now; for example, Sakshi Sharma and Victoria Jennings have probed the ethical dilemmas posed by fast fashion before here on the Post. Sharma explains how the industry allows wage stagnation and workplace abuse to flourish, and Jennings examines the negative impact fast fashion has on the environment. It is worth noting how extremely difficult it is to quantify this negative impact. The oft-repeated statistic that the garment industry pollutes more than any other, with the exception of oil, seems to come from a study on a single Chinese province, as Alden Wicker explains in his expose on the tangled web of shoddy evidence and unverifiable data that impede genuine research. Misinformation, he argues, poses obstacles for consumers and eco-activists alike.

But regardless of what the exact impact is, the fashion industry is ramping up, not slowing down. A 2019 report published by the Global Fashion Report on the fashion industry predicts a global increase in textile production of 81% by 2030. It’s near impossible to make a case for fast fashion, but at the same time, it’s misguided to focus all of our ire on that specific sector of the industry when high fashion is just as guilty of unsustainability. Is fashion itself, as we currently understand it, inherently unsustainable?

Unfortunately, a designer label is hardly a guarantee of eco-friendliness. Urban Outfitters and Anthropologie, while not exactly qualifying as “high fashion,” are certainly on a different tier than Shein. However, these two brands, which are owned by the same company, still use unsustainable synthetic fabrics like polyester, and neither is especially transparent about where and how their garments are made or what steps they plan to take to reduce carbon emissions. Companies that definitely would be considered high fashion, like Versace, have made gestures towards sustainability, but as one sustainability-rating site noted, there is no evidence that Versace is on track to meet its goals.

Paradoxically, fashion is both art and commodity. We think of our clothing as expressive of our true essence and therefore unique, but the things we buy are selecters for us by a cadre of market researchers and boardroom executives, and are ultimately iterations of ephemeral trends that flatten rather than enrich individual expression. Fashion, as essayist Kennedy Fraser noted in 1978, is at its core “materialistic, and holds that appearances are of greater significance than substance. Among the shared limitations are fickleness, a preoccupation with descrying the will of the majority in order to manipulate it or pander to it, and a concern with the accumulation or protection of power and profit. Although all fashion looks mobile and rebellious at times, its roots are surprisingly constant: to think or act for reasons of fashion in any given field is to support that field’s established centers of power.” Fraser rightly points out that fashion in general, whether high or low, requires a base of consumers, so its continuation can only ever perpetuate the aims of capitalism. Even the most daring trend can be watered down and shuffled onto a Target sales rack, fully incorporated into the mainstream culture it once challenged the boundaries of.

At the same time, how impossible it is to dismiss the idea of fashion, to stop our ears against the alluring language of pattern and color, of form and movement. Like any kind of image-making, fashion provides us with metaphors and symbols through which we understand ourselves and our position in the world. Situated at the intersection between private and public, between self and other, these polyvalent symbols allow us to simultaneously articulate, as well as create, our sense of self. The fashion industry capitalizes on these ingrained desires, which is partly why addressing the negative environmental impact of the garment industry is so difficult. Consumers should and must shun fast fashion brands, but that only tackles one small part of the problem. We need to completely rethink fashion, finding a way to embrace the good and discard the bad, if we want to lay the foundation for a more sustainable world.

“Phantom Champion” Memorabilia and Global Justice

photograph of 49er flagbearers celebrating on field

On February 2nd, the San Francisco 49ers were defeated by the football team from Kansas City (Missouri) in Super Bowl LIV. Almost immediately after the game ended, Kansas City players and coaches were sporting t-shirts, hats, and other celebratory memorabilia trumpeting their team’s victory. Clearly, in order for them to be ready when needed (for both post-game merrymaking and for sale), the souvenirs needed to be created well in advance – long before it was known that Kansas City would end up the victors. Presumably, the losing side of the field held a similar shipment of now-inaccurate collectibles heralding the triumph of the 49ers. What happens to this “phantom champion” memorabilia? And what sorts of ethical questions might it provoke?

The answer to the first question comes in two parts: in many cases, souvenirs made unmarketable by a team’s loss are donated to charities that distribute the clothing to parties in need; in some others, they are simply destroyed.

In both cases, although certainly some fans would jump at the chance to purchase tchotchkes celebrating a history that never happened, sports leagues are interested in preventing such merchandise from entering the secondary market; as a representative for the Major League Baseball Association explained in 2016, their choice to trash memorabilia celebrating Cleveland’s (nonexistent) win over the Cubs was motivated by a concern to “protect the team from inaccurate merchandise being available in the general marketplace.”

More frequently, rather than simply letting such materials go to waste, leagues have coordinated with non-profit groups to distribute the clothing to people in foreign countries or who have been victimized by natural disasters. As Jeff Fields, then-representative of a charity which has worked with the NFL in this way, explained in 2007, “Where these items go, the people don’t have electricity or running water. They wouldn’t know who won the Super Bowl. They wouldn’t even know about football.”

Which, for all of its humanitarian veneer, might suggest something less-than-morally-praiseworthy about how phantom champion materials are handled: either they simply go to waste (thereby contributing further to the problems inherent to “fast fashion”) or they work to perpetuate what Teju Cole has called the “White-Savior Industrial Complex.”

In the case of the first, recent years have seen much attention given to the problem of low-quality, inexpensively-produced clothing and other textiles ending up as landfill waste. Not only does so-called “fast fashion” (named for its ever-increasing speed of turnover to match ever-more-quickly-changing trends) produce upwards of 10% of humanity’s carbon emissions, but the fashion industry is the second-largest consumer of water in the world. Many of the products targeted at fast-fashion consumers are made with polyester or other fossil-fuel-derived synthetics and washing these clothes introduces a significant amount of microplastics into the water supply. Overall, somewhere on the order of 85% of all textiles produced globally end up in landfills each year. Insofar as the NFL, MLB, and other professional sports organizations dump their undesired merchandise straight into the trash, they are directly contributing to problems of pollution and climate change.

Regarding the second, in critiquing American sentimentality that “is not about justice…[but]… is about having a big emotional experience that validates privilege,” Cole directly channels W.E.B. Du Bois’ criticisms of “whiteness” as that which patronizingly treats the Earth as being under the care of white people. Even – and perhaps particularly – when acting as a “caretaker,” whiteness exudes the “assumption that of all the hues of God, whiteness alone is inherently and obviously better than brownness or tan…even the sweeter souls of the dominant world as they discourse with me on weather, weal, and woe are continually playing above their actual words an obligato of tune and tone.” Writing in his essay “The Souls of White Folks,” Du Bois continues, “Then always, somehow, some way, silently but clearly, I am given to understand that whiteness is the ownership of the earth forever and ever, Amen!” When American corporations disguise their garbage disposal as “humanitarian aid” and pat themselves on the back for donating unwanted products that, arguably, should never have been produced in the first place, it’s hard to avoid cynicism when assessing their motivations – particularly when they patronizingly excuse the distasteful design of their gifts by belittling the targets of their supposed concern. “They wouldn’t even know about football,” indeed.

Certainly, there is much about the state of modern American football that is well-deserving of criticism; its unnecessary environmental waste is simply one more item on the list. This year, the NFL pushed to approach a zero-waste certification for the host of the 2020 Super Bowl (though it is worth noting that “zero waste to landfill” is not the same as “zero waste”); eliminating the problems posed by phantom champion products (even if that requires foregoing immediate merchandise sales) would be another small step in a positive direction.

Fast Fashion and the Ethics Behind Your T-shirt

A Photo of fashion design mannequins in an empty warehouse.

Can ethics and economics ever work together? This question captures the essence of the sweatshop issue that dominated the majority of media in 2013, especially highlighting Bangladesh. In 2013, according to the Guardian, a garment factory located from the fourth floor to the seventh floor of Rana Plaza collapsed, killing 1,135 people.This was not a natural disaster in any way, but rather was purely man-made. The workers apparently noticed a crack on Tuesday and reported to their manager, which resulted in a supposed Wednesday off for inspection. However, for some reason the building was declared safe to work in later on, and hesitant yet voiceless workers were called back to work, as CNN explains. Unfortunately, the Rana Plaza incident was not the first incident related to garment factories that occurred in Bangladesh. Previously in 2005, reports indicate that there were 70-plus deaths in a garment factory in the same area. Additionally, in 2012 another garment factory fire has already killed more than a hundred people in Dhaka, Bangladesh.

Continue reading “Fast Fashion and the Ethics Behind Your T-shirt”

The Cost of Fast Fashion

The past thirty years have seen a rise in “fast fashion” – a system of mass production that “refers to cheap, trendy, and popular clothing chains which rapidly change their inventory and styles.” This system is what allows us to walk into Forever 21 or H&M and purchase a whole outfit for less than $50. But you do get what you pay for – these clothing articles often have loose seams are made with cheap fabrics. As many customers of these stores can attest, laundry day becomes a chore thanks to excess shrinkage, unraveling, and rapid degradation of the quality of the sweater, shirt, or dress. However, many consumers are undisturbed by this disposable clothing trend because in the fashion world, trends are ever-changing and often fleeting. It doesn’t matter that the trendy sweater you bought two weeks ago is becoming a tad threadbare, because it’s already out of style. These clothes are now so cheap that upon the emergence of a new trend, it is affordable to go out and newly stock your closet.

An indisputable attribute to this industry is that money and status are no longer barriers. A new video by AJ+ explains we are only spending about 3% of our income on clothing, explaining that in a time of vast socioeconomic inequality, almost everyone is able to participate in the “fashion for all” culture. But what is the real cost?

According to the aforementioned AJ+ video “Why H&M Costs More Than You Think” referenced by The Huffington Post, 85% of the used clothes that we throw away goes into landfills, while only around 15% is recycled or reused. “Textile dyes make up 1/5th of industrial water pollution, and it’s estimated that the apparel industry makes up 10% of the global carbon footprint.” If this doesn’t persuade you, the cheap textiles we buy are full of contaminants such as lead and carcinogens. Teenage girls are most often the group targeted by these clothing chains and are thus exposed to these contaminants whilst still in developing stages.

The consequences don’t end there – the practice of mass production perpetuates the exploitation of cheap labor. As most of you probably know, many workers, who are often children, in countries such as China and Bangladesh are working from dawn to dusk in dangerous conditions for less than a dollar. How have we been justifying the fashion industry’s malpractices for so long?

There are some social benefits to buying into the disposable clothing culture. Rates of clothing donation to organizations such as Goodwill and the Salvation Army has drastically increased. Many millennials who are laden with debt and struggling to enter the workforce are able to inexpensively stock their wardrobe with clothes that make them look presentable. However, is fast fashion justifiable when posited next to the dangerous working conditions and minuscule wages that make this practice possible? What about costs to the environment and the burden it places on future generations? It’s time we start asking what the real cost is of purchasing our wardrobes from these chains and questioning the implications of our whimsical consumerism and disposal tendencies.