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Gorr the God-Butcher and the Problem of Evil

drawing of Thor battling silhouettes in storm

This article contains spoilers for the film Thor: Love and Thunder (also known as Thor 4).

The Marvel Cinematic Universe has long been criticized for its “villain problem” — with a few notable exceptions (like Thor’s Loki, Black Panther’s Killmonger, and Thanos from the Avengers series),

the antagonists of most Marvel films are generally unremarkable “bad guys” whose narratival existence seems to be justified mostly by giving the heroes something to punch.

But the latest movie in the MCU — Taika Waititi’s Thor: Love and Thunder — breaks this pattern by introducing Gorr the God-Butcher, played by Christian Bale.

Because, unlike Ronan’s fanaticism (in Guardians of the Galaxy) or Yon-Rogg’s toxic masculinity (in Captain Marvel), Gorr the God-Butcher’s divine bloodthirstiness might actually be justified.

The film opens by introducing Gorr before he gains his god-killing powers. Destitute and starving, he stumbles through a desert wasteland, carrying his young daughter while praying to his god, Rapu, for help. When the deity fails to appear, Gorr’s daughter dies. As Gorr prepares for his own death, an oasis suddenly appears nearby where Gorr discovers Rapu celebrating the defeat of a would-be assassin. Gorr confronts Rapu, pleading for the answers and assistance long-promised by Gorr’s faith, but Rapu just laughs and ridicules the man, telling him that Gorr’s people are irrelevant and that the gods don’t actually care about anyone — they just expect to be worshiped. Enraged, Gorr picks up the dead assassin’s weapon and murders Rapu, vowing to avenge his daughter by cleansing the universe of the gods.

Although the movie never explains what kind of god Rapu is (as Zeus is the god of lightning and Thor is the god of thunder), Gorr clearly expects him to be both extremely powerful and benevolent to his worshipers.

This means that the opening scene of Love and Thunder portrays Gorr’s painful confrontation with what philosophers and theologians often refer to as the Problem of Evil.

Basically, many theistic traditions hold that God is both omnipotent (or “all-powerful,” able to perform all logically-possible actions) and morally perfect (or “all-good,” maximally loving and kind). But the existence of evil poses a problem for this view of the divine: if God is omnipotent, then God would be able to prevent any evil action or event from occurring; if God is morally perfect, then God would want to prevent that evil — so why, then, does evil exist? As the 18th-century British philosopher David Hume puts it (ostensibly quoting the ancient Greek philosopher Epicurus): “Is God willing to prevent evil, but not able? Then he is not omnipotent. Is he able, but not willing? Then he is malevolent. Is he both able and willing? Then from whence comes evil?”

Responses to this problem generally take two forms:

the defender of a classical theistic picture might offer a nuanced definition of either the divine properties or the concept of “evil” such that God could be properly omnipotent and omnibenevolent while still allowing evil to exist.

For example, it might be the case that God is all-powerful and morally perfect, but that evil exists necessarily, either on its own or as a consequence of something else (“creaturely free will” or “the possibility of genuine growth” are common suggestions) — it would then not be logically possible for God to fully prevent evil (no more so than God could make a triangle have four sides). Sometimes, theodicies — the technical term for purported solutions to the Problem of Evil — suggest that “evil” is a misnomer because what appears evil to individuals in the short-term can only be fully appreciated from a broad perspective over the grand picture of reality (as it is sometimes put, “God has a plan” or “God’s ways are not our ways”).

But such explanations were no comfort to Gorr: he became the God-Butcher precisely because the plans of the gods, at best, required the death of his daughter (at worst, they hadn’t considered her plight at all).

In this way, Gorr’s reaction is akin to (though considerably more violent than) that of Ivan Karamazov from Dostoyevsky’s The Brothers Karamazov: in the famous chapter “Rebellion,” Ivan tells his brother Alyosha that he has lost his faith in God, not because he believes God does not exist, but because he no longer cares to worship someone so numb to the pains of the world. After listing a series of terrible stories about tortured children (and imagining that one day all tears might be wiped away by God’s harmonious plan granting tickets to heaven), Ivan cries, “I renounce the higher harmony altogether. It’s not worth the tears of that one tortured child who beat itself on the breast with its little fist and prayed in its stinking outhouse, with its unexpiated tears to ‘dear, kind God’!…It’s not God that I don’t accept, Alyosha, only I most respectfully return Him the ticket.”

Gorr went one step further, returning his ticket while removing Rapu’s head.

To be fair, the picture of God in classical theism is considerably different from the gods that Gorr kills in the MCU. While beings like Thor and Odin are extremely powerful, they are still limited by space and time, by material needs (like hunger and sleep), and by mortality (just on a much longer scale). St. Anselm of Canterbury described God as “a being than which nothing greater can be conceived” — certainly “Rapu who cannot be beheaded” is conceivable, which means that the actual Rapu we see die in Thor 4 fails Anselm’s definition.

But notice how the most extreme picture of omnipotent (and omnibenevolent) divinity only sharpens the Problem of Evil: maybe Rapu was very powerful, but he was clearly not all-powerful (or else he, by definition, would not have been defeated). If fans think that Gorr’s actions might be justifiable, then it’s worth thinking more about the implications that has for theodicies in the non-fictional world.

A Boulder Rolls Downhill

photograph of silhoutted man leaning against boulder at dawn

On occasion a philosopher will be asked, sometimes seriously but often tongue-in-cheek, “What’s the meaning of life?” Stereotypically this conversation happens at a bar or party—somewhere that involves a mind-altering substance. A few weeks ago I had such a conversation at a bar. The novel coronavirus was not yet being taken seriously across the US (though it should have been). Nonetheless the theme is applicable—what should we do, and how should we feel, when things are bad? Does it matter? It’s easy to get to a negative answer: there is no meaning, and it doesn’t matter what we do. We can pick out at least two philosophical viewpoints from these sentiments.

If we think what we do doesn’t matter we might be affirming fatalism. This the view that future events are fixed and immutable, not susceptible to alteration by even our greatest efforts. This may be because, in some sense, the future has already happened. (Or more accurately, is continuously “happening,” just as the past is.) Several arguments for fatalism hinge on the premise that the future has, in some sense, happened. In order for statements about the future to be true (Aristotle), or for it to be possible that God has perfect knowledge about the future (Nelson Pike), some philosophers have argued that the future must be fixed and immutable.

To envision how fatalism plays out, consider Chinese engineer and author Liu Cixin’s short story “Moonlight.” An unnamed man receives a call from himself, far in the future. The Earth has suffered a climate disaster and the only way to avert it is to change how the world’s power needs are met. The future-caller offers advanced technology, and tells his past self to get it implemented. Immediately after the man resolves to get the technology built, he receives another call from the future. Though the plan worked, a different ecological disaster occurred instead. A new technology is offered, but another call but minutes later reveals that Earth is still doomed. The man and his future self resolve to destroy any plans sent from the future and have no further contact. The world will suffer an ecological catastrophe no matter what, in the world of “Moonlight.” It is fated.

What about nihilism? Nihilism is the view that there is neither negative nor positive moral value to anything we do. That is, there is nothing that we must or mustn’t do, morally speaking. To be clear, this isn’t a form of moral subjectivism claiming that what is good or bad—right or wrong—is different for each person depending on their beliefs and desires. Instead it is the view that nothing is good, bad, right, or wrong. Fyodor Dostoyevsky’s character Dmitri Karamozov opines that atheism leads to nihilism when he says in The Brothers Karamozov, “But … how will man be … without God? It means everything is permitted …”

A pandemic disease like coronavirus, with its attendant economic and social disruption, can provide fodder for fatalism and nihilism. When there is so much suffering and when years of work can be undone in a matter of weeks it can appear that everything is meaningless and pointless. In this situation arguments like the famed Problem of Evil ring plausible. This argument asserts that, if God exists it must be omniscient, omnipotent, and omnibenevolent. If God has these qualities then it would know about all evil (omniscience), be able to prevent all evil (omnipotence), and desire to prevent all evil (omnibenevolent). However pandemics, wars, natural disasters, and their like happen consistently. These are evils. Therefore no omniscient, omnipotent, and omnibenevolent being exists. Therefore no God exists. If Dmitri Karamozov is right, this means that everything is permitted. That is, nihilism is true.

Whether arguments like the Problem of Evil are valid, they have an emotional appeal when things are bad. There is a reason for this in the view of phenomenologists (i.e., philosophers whose method is to focus on the structure of lived experience) like Martin Heidegger and Jean-Paul Sartre. As humans we experience this disruption as anxiety. We are accustomed to a seamless experience of actions, objects, and interactions being jointly conducive to a clear end. In anxiety we feel as if all of these things are separated from each other by an untraversable space. When thinking in this disengaged fashion we can’t see any essential, objective (i.e., perspective independent) connections between anything. There is a reason for this, too, according to Heidegger and Sartre. It’s because there are no essential, objective connections. Life has no meaning of its own.

So are nihilism and fatalism true? No—or, maybe yes, but so what? For Sartre, humans are free and life has meaning because of the lack of any essential or objective connections and purposes. This is the upshot of his famous statement “existence precedes essence.” For Sartre nihilism and fatalism are the conditions of human freedom and meaningful life. Humanity’s quest for some prepackaged meaning and value is an effort to shirk the enormous responsibility of what he calls “radical freedom.”

But what about the futility of it all? After all everyone dies, and in life we may work for years to see all those efforts come to nothing. Albert Camus dramatizes this facet of life with his interpretation of the story of Sisyphus. Punished by the gods, Sisyphus is doomed to roll a great boulder up a long hill only for it to roll back down, over and over again. But Camus does not assume that Sisyphus’ toiling brings only despair. While he pushes the boulder up, Sisyphus is too engrossed in his task. This is the seamless experience of practical engagement described by Heidegger and Sartre. Camus asserts that the interesting thing is to think of Sisyphus as he walks back to the bottom of the hill. He imagines that Sisyphus claims ownership of his “fate.” By claiming ownership he creates a meaningful connection between the endless pushing-up and rolling down. He knows it will never end, but he does not despair. Camus imagines Sisyphus is happy.

Many people have been yanked from the feeling of seamless practical engagement by the coronavirus and its knock-on effects. Feelings of anxiety rise as people doubt the inherent worth and meaning of their lives. In the face of this how can people go on, and why should they? Because that’s what life is like, and there’s nothing else to do. Push the boulder back up the hill. It’ll roll down again, but at least we’ll have something to do.

Christchurch: White Supremacism, Politics and Moral Evil

Photograph of candles and flowers arranged to mourn victims of the shootings

Almost three weeks ago, on Friday March 15, 2019, the world looked on in horror as news broke of a terrorist attack perpetrated by a white supremacist against a community of Muslims during Friday prayers at two Mosques in Christchurch, New Zealand. The gunman, a 28-year-old Australian man, killed 50 people with a cache of weapons including semi-automatic rifles emblazoned with white nationalist symbols. He streamed film footage live on social media before and during the massacre. (Jacinda Ardern, New Zealand’s Prime Minister, has promised not to speak the terrorist’s name in public so as to deprive him of the fame he desires. Many news outlets in New Zealand and Australia have followed by continuing not to use his name, and in that spirit, this article will also decline to use his name.)

This individual was not known to authorities or to security agencies in Australia or New Zealand, but subsequent searches show that he supported Australian far right groups (now banned on social media) and was an active member of several online white supremacist forums. Prior to the massacre he published a 74-page “manifesto” online titled “the great replacement” in which he enthusiastically discusses various neo-fascist modus operandi including creating an atmosphere of fear in Muslim communities. He describes himself as a “regular white man from a regular family” who “decided to take a stand to ensure a future for my people.” He said he wanted his attack on the mosques to send a message that “nowhere in the world is safe.”

The accused gunman mentioned Donald Trump in his manifesto, praising the US president as “a symbol of renewed white identity and common purpose.” Acting White House chief of staff Mick Mulvaney brushed off the association: “I don’t think it’s fair to cast this person as a supporter of Donald Trump” Mulvaney said, adding “This was a disturbed individual, an evil person.”

The notion of evil is evoked in particularly extreme and egregious circumstances. Doubtless Mulvaney is right about the gunman being disturbed, and perhaps about his being evil. Evil is a moral category that bears some examination; but statements of the ilk of Mulvaney’s, which emphasize the individual nature of the action are challenged by another view. Since this horrific event there has been much soul-searching and a great deal of public debate in the gunman’s home country of Australia about possible causes or exacerbating factors for such an event; or at least about its possible relationship to wider public sentiments about issues like race and immigration. Many have criticized the level of public discourse in Australia where some views espoused by mainstream media and mainstream politics seem to prefigure and presage many of the views expressed by the gunman in his manifesto.

It is being widely acknowledged that there has been a rise in anti-Muslim sentiment in mainstream political discourse; that incendiary platforms of anti-immigration and racist rhetoric have increasingly been employed not just by fringe right-wing political outfits (in Australia the One Nation party is a particularly egregious example) but also by the major political parties to drum up support and to create political advantage.

Examples are not difficult to find. In the days following the massacre Frazer Anning, a senator from One Nation (Australia’s furthest right, whitest, most nationalist minor party), was castigated for suggesting the mosque attack highlighted a “growing fear over an increasing Muslim presence” in Australian and New Zealand communities. These remarks are obviously abhorrent, and Anning will be formally censured in Parliament for them. But while Australian Prime Minister Scott Morrison was denouncing Anning, he was also explaining, or rather denying, remarks he himself is reported to have made in a strategy meeting as opposition Immigration spokesman, in which he reportedly urged his colleagues to capitalize on the electorate’s growing concerns about “Muslim immigration”, “Muslims in Australia” and the “inability” of Muslim migrants to integrate.

And all this is familiar to the Australian public who have just witnessed, in the weeks before the massacre, the government drumming up hysteria about refugees (most of whom are Muslim) by suggesting that they may be rapists and paedophiles, and that bringing them to Australia for medical treatment would deprive Australians of hospital beds. There is no doubt (even if Donald Trump denies it) that white supremacy is on the rise, that it is being fed by social media, and that the movement is feeling emboldened by the current political climate. Given this tinderbox of conditions, many believe that it was only a matter of time before it again erupted in violence.  

So how do we square claims about the social and political conditions that feed such hatred with claims about the individual evil of the nature and actions of the one gunman who committed this massacre?

The question must be about responsibility. Acknowledging the conditions, which foment a general anxiety about race and immigration, and which embolden the already radicalized, are important parts of what we must as a (local and global) community come to terms with. Yet if we want to say that this was an act of evil perpetrated by an evil person, then we want it to be understood that that also means he is fully morally culpable, not that he is simply an instrument or product of the zeitgeist. We therefore must be aware of those who want to use that view to deflect responsibility away from themselves or their vested interests, including politicians whose policies and public pronouncements too closely resemble the evildoer’s message of hate.  

So how do we think about the notion of moral evil – and assess the moral usefulness of that concept here? There is a long history in philosophy of discussions of the nature of evil. Historically, evil has been a theological concept, and much philosophical discussion has tended to focus on ‘natural’ rather than ‘moral’ evil (natural evil is said to include bad events or bad things that happen over which agents have no control). Reasons for shunning the concept of evil in modern moral discourse are its sense of the supernatural, and because it can be thought to, by evoking a sense of mystery, express a lack of understanding and of reason. In the secular systems of philosophy, evil as a moral concept has often been eschewed in favor of moral categories of ‘wrong’ and ‘bad.’

When people say, following such an event, that ‘it was an act of evil’, what do they mean? Even if the category of evil is evoked over and above badness or wrongness, there may be different understandings of its distinction from these categories. Is evil different in kind, that is, is it qualitatively different, from an act that is just morally wrong, or may be described as bad? If that is the case, then there must be some element an evil act possesses that an act that is simply morally wrong does not. Yet it has not been easy for philosophers to pinpoint what that element is. It has been suggested, for example, by Hillel Steiner in his article “Calibrating Evil” that the quality present in an evil act that is not present in an act of ‘ordinary wrong’ is that of the pleasure derived by the perpetrator from the act. On the other hand, it could be argued that evil is quantitatively different from acts of ordinary badness, and that as a moral category it serves to amplify our understanding of the moral terribleness of an action.   

Regardless of your metaphysical commitments on these questions, a reason for turning to the concept of evil in moral philosophy is that the moral categories of ‘wrong’ and ‘bad’ are at times not enough to capture the moral significance of horrors which seem to go beyond the limits of those concepts. Hannah Arendt famously wrote about the concept of evil, in the context of her report on the trial of Adolf Eichmann, one of the chief architects, and bureaucrats, of the Jewish Holocaust. (As it happens, both her theory and her source material seem to be relevant here.) Arendt employed the idiom ‘evil beyond vice’ to name a kind of radical evil, one she saw as coming to fruition in the horrors of the Nazi death camps and the ‘final solution’. She analyzes evil of that nature as being a form of wrongdoing that cannot be captured by other moral concepts; that involves making human beings superfluous and that is not done for humanly understandable motives like self-interest.

Though a great deal of philosophical ethics is normative – gives us the tools to discern in a variety of situations, right from wrong and good from bad – following an event like the Christchurch massacre it seems that the role of ethics becomes partly a descriptive one – so that we use moral concepts to come to terms with, and face honestly up to, the terribleness of such events.

The paradigm for evil since the Second World War is the horror of the Nazi regime and the Jewish holocaust. It is very disturbing that there is a link, and not an incidental one, between that paradigm of evil and the motivations of the evil of the Christchurch shooter. White nationalism is white supremacy and white supremacy is neo-Nazism. There are ample pictures on the internet of the groups with which the Christchurch shooter identified, and countless groups like them, showing people displaying swastikas and doing the Nazi salute. Even the United States president Donald Trump ostensibly claimed that there were ‘fine people’ marching with torches in a white supremacist rally in Charlottesville in 2018.

Calling this an act of evil may, or may by some using that designation, be meant to distance it or cut it off from factors which the speaker has a reason to be defensive about. Yet there is no reason to accept the implication that an evil act is an act that occurs in isolation from social and political forces. Matters of causality are difficult, and almost always opaque. Not every individual engaged in nationalist chat rooms or racist conspiracy theories will commit an atrocity, but the discussions in those spaces will foment and galvanize the hatred. And every politician’s casually nationalist or off-handed racist statement or policy adds to the normalization of the same sorts of messages that white supremacists promote. All of this matters because it will help create the atmosphere for such unspeakable acts of evil to take place.

To Understand America’s Resistance to Gun Control, Look to Religion

A vintage snapshot of four boys playing with toy guns next to a lake.

As America grapples with another mass shooting, this time at a concert in Las Vegas, the arguments put forth by both sides have not exactly tread new ground. There have been some encouraging signs of progress, namely the growing consensus around a ban of the bump-fire stocks the shooter used to simulate automatic fire and kill 58 people. Yet much of the debate remains couched in appeals to public safety and evocations of constitutional rights, doing little to address the deep intractability that marks the gun control debate.

Continue reading “To Understand America’s Resistance to Gun Control, Look to Religion”

In Understanding Catholicism’s Satan, A Struggle over Symbolism

Arturo Sousa, the Superior General of the Society for Jesus (Jesuits) recently said in an interview with Spanish newspaper El Mundo that, “we have formed symbolic figures such as the devil to express evil.” His words seem to imply that Satan is not a real being, but just a symbol; the devil would be more akin to Lex Luthor than Adolf Hitler, i.e., a fictional character.

Continue reading “In Understanding Catholicism’s Satan, A Struggle over Symbolism”