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“Okay Ladies, Now Let’s Get in Formation”

The Super Bowl happened last month, but the media still has not quieted down over Beyoncé’s half time performance, particularly the debut of her new song, “Formation.” For those who haven’t seen the music video or her Super Bowl performance, it is unlike anything the singer has done to date. It was culturally provocative, emotional, highly stimulating and an reminder of where Beyoncé came from. From Beyonce on top of a sinking police car in what seems to be New Orleans to her riding around in an old convertable with her hair in braids, the images leave little doubt in the viewers mind that Beyonce is black.

In the music video, released a day before her Super Bowl performance, Beyonce takes on all African-American stereotypes and does so in her own way. Beyoncé and Jay- Z, her husband, have been publicly quiet on the racial conflicts of the past few years, including the Black Lives Matter movement. But the couple has taken a more public role in racial dialogues. Beyonce’s “Formation” in combination with Jay-Z’s business Tidal donating $1.5 million to the Black Lives Matter program makes their position on these issues fairly clear.

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