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Environmental Impacts of the Fashion Industry

photograph of Louis Vuitton storefront

While the designer for Louis Vuitton was probably hoping their iconic looks would be stealing the fashion hearts of the internet, it was not the powerhouse brand’s upcoming line that was posted all over the news. During the finale of one of the biggest fashion events in the world, Paris Fashion Week, while models for Louis Vuitton were in the midst of the runway, an environmental activist, Marie Cohuet, joined the models holding a sign stating “OVERCONSUMPTION = EXTINCTION.” Outside, more environmental activists from three different organizations were staging their own protest against the fashion industry’s harmful impact on the environment. Louis Vuitton was targeted specifically for its influence in the fashion industry, as well as for the brand’s recent pledge to reduce their environmental impact. The environmental group behind this protest claims Louis Vuitton is not living up to its promises — having committed to have 100% renewable energy in their production and logistics sites, and LED lighting in their stores by 2025. Are these commitments enough, however, to make a consequential impact on an environment that is becoming increasingly uninhabitable every year?

For one thing, Louis Vuitton is basing these objectives off the 2015 Paris Climate Agreement that settled on keeping global warming temperatures below 1.5- 2 degrees Celsius. This range of temperature indicates the difference between surviving the inclement weather we are currently dealing with and experiencing massive climate disasters that lead to unheard of burdens on countries and people. These two worlds look very different, especially depending on the geography of where one lives. Even at 1.5 degrees Celsius, many island nations will cease to exist, as this agreement was largely made based on the concerns of economic powerhouses, such as the U.S., that need not worry about their entire populations being swallowed by rising sea levels- just coast lines. Beyond just ignoring the potential extinction of smaller island nations, the goals of the Paris Climate Agreement are almost definitely unreachable at this point. The few goals Louis Vuitton has set for the brand’s environmental impact are not set to be reached until 2025, which is far beyond what the climate needs in reality from the industry. But, Louis Vuitton is only one brand of many in the industry, so what is the total impact of the entire fashion industry on the environment? And why should the fashion industry be at the forefront of industries limiting their environmental impacts?

Making clothes, is in fact, an extremely resource-intensive process, which consumes mass amounts of water, releases dangerous levels of carbon emissions, and depends on a wasteful consumerist business model. Every year, the fashion industry uses up such a massive amount of water that it could meet the needs of five million people. This is in a world that currently 2.2 billion people do not have safe access to clean drinking water. Furthermore, the industry depends largely upon synthetic materials, which put microplastics into the oceans, reeking negative impacts on an already vulnerable marine ecosystem. In terms of carbon emissions, the industry is responsible for ten percent of global emissions, which may rise by 50% by 2030, if it stays at the same pace. Fast fashion, a quickly growing pocket of the fashion industry, relies on a consumerist model in which one posts an outfit on social media, but then must buy a different outfit for their next post. Their clothes, therefore, are cheaply made and cheaply bought, and eventually end up in a landfill. Many of these clothes end up in an incinerator, which releases large amounts of poisonous gases and toxins into the air. Despite these statistics, the consumption of clothing is expected to rise from 62 metric tons in 2019 to 102 million tons in the next decade. These are environmental impacts that undoubtedly affect human’s health, however, there is a more direct connection to the endangerment of human life and the fashion industry.

Part of the reason fast fashion is able to sell its clothes at such a cheap price is because they do not pay the people in warehouses making the clothes a livable wage. This has essentially led to modern-day slavery practices in the production of the fashion world. Women make up the majority of the 40 million people worldwide that are enslaved in modern slavery networks and the fashion industry, from the workers in the warehouses to the collection of the raw materials, contributes to this network. The complicated supply chains that the fashion industry depends on make it difficult to track where the raw materials have come from and make it easier to hide the connection between a cute top on an Instagram model and an enslaved woman, or even child, in a dangerous factory. These factories and warehouses are often in countries that already struggle economically and therefore have populations of people vulnerable to the cheap wages and dangerous working conditions due to the risk of poverty. This present-day situation can undoubtedly be traced back to the roots of colonialism and the imperialist missions of the “Global North” against countries in the “Global South.” At the root of the fashion industry’s ethical issues lie not only environmental problems, but also complex race and gender issues. After all, the impacts on the climate will be felt first by the most vulnerable populations in the most vulnerable countries, both geographically and economically.

In order to address the mounting problems facing the fashion industry, some brands have turned towards more sustainable methods of making, packaging, and transporting clothes. For example, technology has allowed for companies to use recyclable fibers, which lack the toxins found in other sources. This also requires far less water than it would using the usual cotton material. Oftentimes, however, these sustainable brands can be extremely expensive, carrying a price tag of $550 for a simple white cotton t-shirt. This is simply unattainable for most of the population. One brand, CHNGE has managed to create a brand whose ideology is centered around sustainability, ethical practices, and activism. Their clothing is 100% carbon neutral as they protect hundreds of thousands of trees, they use an organic cotton that saves 500 gallons of water, and use recycled packaging for their clothes that can then be recycled again. They also own the factory that produces their clothing and guarantee fair and safe working conditions for their employees. They manage to do all of this while keeping the price of their shirts around $30.

Whereas brands like CHNGE seem to be taking active and important steps towards offsetting the impacts of their clothing production, it seems other brands like Louis Vuitton are failing to recognize the precarious place the world finds itself in. While individual fashion brands, and ideally the fashion world as a whole, can pledge and promise to decrease their environmental impacts, the impending climate doom does not rest solely upon the shoulders of fashion CEOs. Surely, they have a great responsibility given the impact of the fashion world, but our continued survival is largely dependent upon world leaders to make and enforce the real and necessary changes needed to prepare for the future. While the 2015 Paris Climate Agreement may have been historical in the global community’s acceptance of the need for change towards the climate, that agreement is failing. World leaders, from both poles of the globe, need to work together in a way that the world has never seen before in order to prepare for the worst that climate change is sure to bring.

Fast Fashion Isn’t the Fashion Industry’s Only Problem

photograph of shelves of shirts in shrinkwrap

Most young Americans have never lived in a world where the latest fashion trends were not available instantly at dizzyingly low prices. Fast fashion retailers like Shein and ASOS offer seemingly endless online catalogs of low-quality clothes, typically about as durable as tissue paper, and in the last few years they’ve broadened their audiences through social media sites like TikTok and Instagram. Influencers purchase a few hundred-dollars worth of clothing, reflecting that week’s micro-trends, and spread these finds out on the floor to be filmed. Most items are only worn a few times before they move on to their next haul. To get a sense of the scope of this problem, we might look at pioneering online retailer ASOS, which aims to add roughly 5,000 items to its virtual catalog every week. As Terry Nyguen, a reporter on consumer trends for Vox, explains, “Garment production has quietly accelerated to breakneck speeds over the past three decades, easing young and old consumers into thinking of their clothes as disposable.”

As a culture, we’ve been trying to wrap our heads around fast fashion for nearly a decade now; for example, Sakshi Sharma and Victoria Jennings have probed the ethical dilemmas posed by fast fashion before here on the Post. Sharma explains how the industry allows wage stagnation and workplace abuse to flourish, and Jennings examines the negative impact fast fashion has on the environment. It is worth noting how extremely difficult it is to quantify this negative impact. The oft-repeated statistic that the garment industry pollutes more than any other, with the exception of oil, seems to come from a study on a single Chinese province, as Alden Wicker explains in his expose on the tangled web of shoddy evidence and unverifiable data that impede genuine research. Misinformation, he argues, poses obstacles for consumers and eco-activists alike.

But regardless of what the exact impact is, the fashion industry is ramping up, not slowing down. A 2019 report published by the Global Fashion Report on the fashion industry predicts a global increase in textile production of 81% by 2030. It’s near impossible to make a case for fast fashion, but at the same time, it’s misguided to focus all of our ire on that specific sector of the industry when high fashion is just as guilty of unsustainability. Is fashion itself, as we currently understand it, inherently unsustainable?

Unfortunately, a designer label is hardly a guarantee of eco-friendliness. Urban Outfitters and Anthropologie, while not exactly qualifying as “high fashion,” are certainly on a different tier than Shein. However, these two brands, which are owned by the same company, still use unsustainable synthetic fabrics like polyester, and neither is especially transparent about where and how their garments are made or what steps they plan to take to reduce carbon emissions. Companies that definitely would be considered high fashion, like Versace, have made gestures towards sustainability, but as one sustainability-rating site noted, there is no evidence that Versace is on track to meet its goals.

Paradoxically, fashion is both art and commodity. We think of our clothing as expressive of our true essence and therefore unique, but the things we buy are selecters for us by a cadre of market researchers and boardroom executives, and are ultimately iterations of ephemeral trends that flatten rather than enrich individual expression. Fashion, as essayist Kennedy Fraser noted in 1978, is at its core “materialistic, and holds that appearances are of greater significance than substance. Among the shared limitations are fickleness, a preoccupation with descrying the will of the majority in order to manipulate it or pander to it, and a concern with the accumulation or protection of power and profit. Although all fashion looks mobile and rebellious at times, its roots are surprisingly constant: to think or act for reasons of fashion in any given field is to support that field’s established centers of power.” Fraser rightly points out that fashion in general, whether high or low, requires a base of consumers, so its continuation can only ever perpetuate the aims of capitalism. Even the most daring trend can be watered down and shuffled onto a Target sales rack, fully incorporated into the mainstream culture it once challenged the boundaries of.

At the same time, how impossible it is to dismiss the idea of fashion, to stop our ears against the alluring language of pattern and color, of form and movement. Like any kind of image-making, fashion provides us with metaphors and symbols through which we understand ourselves and our position in the world. Situated at the intersection between private and public, between self and other, these polyvalent symbols allow us to simultaneously articulate, as well as create, our sense of self. The fashion industry capitalizes on these ingrained desires, which is partly why addressing the negative environmental impact of the garment industry is so difficult. Consumers should and must shun fast fashion brands, but that only tackles one small part of the problem. We need to completely rethink fashion, finding a way to embrace the good and discard the bad, if we want to lay the foundation for a more sustainable world.

Seeking Responsibility in the Deaths over Designer Sneakers

A large collection of Air Jordans sneakers in glass boxes.

It seemed as though everybody wanted to “be like Mike.” Children and adults alike aspired to leap from the free throw and dunk with their tongue hanging out or win six NBA Championship titles. But for those who weren’t 6’6” and drafted by the Chicago Bulls, like most people, they had to buy Michael Jordan’s shoes if they wanted to be like him. With the rise of sneaker culture came a violent side-effect: the fact that people are willing to harm and even kill others for a pair of coveted Jordan sneakers.

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